Board Members

Ne-Yo

One of the most acclaimed R&B artists of the 2000s, the Songwriters Hall of Fame’s 2012 Hal David Starlight Award recipient, Ne-Yo, entered the mainstream as a songwriter for Mario’s “Let Me Love You” (2004), a number one pop hit. By the time Billboard determined that the romantic ballad was the eighth most successful single of its decade, Ne-Yo had racked up a career’s worth of accomplishments as a composer and recording artist. He had platinum certifications for In My Own Words (2006), Because of You (2007), and Year of the Gentleman (2008), the second of which won a Grammy Award in the category of Best Contemporary R&B Album. Seven of his singles, as well as five on which he appeared as a featured artist, peaked within the Top Ten of the Hot R&B/Hip-Hop chart. Beyoncé‘s “Irreplaceable” (2006) and Rihanna’s “Take a Bow” (2008), two of the many songs he wrote for other artists, were smash hits as well. Although he wasn’t as prolific in the 2010s—he worked extensively behind the scenes as a Motown executive, amid a slew of acting and televised talent-competition gigs—he continued to be known for sophisticated pop-oriented R&B, inspired as ever by the likes of Michael Jackson and Babyface. His streak of Top Ten studio albums continued through Non-Fiction (2015). After 2018’s Good Man, Ne-Yo offered up his first Christmas album and continued to release singles throughout 2020.

Born Shaffer Smith in Camden, Arkansas, and raised in Las Vegas, Ne-Yo broke into the music industry as a songwriter, though he had a false start with a short-lived group called Envy. Before he exited his teenage years, he penned material for Youngstown. Shortly thereafter, he co-wrote “That Girl” for Marques Houston and “I’m Sorry” for Christina Milian; the former composition had been intended for Smith’s own debut album, which was recorded for Columbia but never released. In late 2004, he became known throughout the industry as the co-writer of Mario’s “Let Me Love You,” one of the most-played songs on urban radio stations across the U.S.

Ne-Yo subsequently signed a solo deal with Def Jam. In My Own Words came out in February 2006 and reached the top of the Billboard 200 and R&B/Hip-Hop album charts, supported by the number one hit “So Sick”—one of his many collaborations with Norwegian production duo Stargate. The same year, he appeared on Remy Ma’s There’s Something About Remy and Ghostface Killah’s Fishscale, and he had a hand in writing a pair of Top Ten hits: Beyoncé‘s “Irreplaceable” and Rihanna’s “Unfaithful.” Because of You, his second album, followed in May 2007. It topped the Billboard 200 and R&B/Hip-Hop Albums charts, with its upbeat title track topping out at number two on the Hot 100. A Grammy in the category of Best Contemporary R&B Album followed early the next year.

After another series of songwriting triumphs, including Rihanna’s “Take a Bow” and Jennifer Hudson’s “Spotlight,” Ne-Yo released his third album, Year of the Gentleman, in September 2008. Propelled by the hits “Closer,” the Grammy-winning “Miss Independent,” and “Mad,” the set eventually went platinum, which made Ne-Yo three for three in that regard. Ne-Yo then went relatively quiet for a brief period but returned in 2010 with Libra Scale, an album inspired by science fiction and comic books, as well as Stevie Wonder’s and Michael Jackson’s most ambitious recordings. It debuted in the Top Ten. He maintained his mainstream presence as a featured artist on Pitbull’s “Give Me Everything,” Young Jeezy’s “Leave You Alone,” and Calvin Harris’ Grammy-nominated “Let’s Go,” among a handful of minor hits.

In November 2012, after he signed to Motown and was named the label’s Senior Vice President of A&R, Ne-Yo released R.E.D. (“Realizing Every Dream”). The album found him continuing to embrace dance-pop while maintaining his connection to R&B. It debuted at number four on the Billboard 200. The singer spent much of 2013 collaborating with other artists, including Akon, David Guetta, Cher Lloyd, and Celine Dion. The build-up to Non-Fiction, Ne-Yo’s sixth studio album, started during the first half of 2014 with the release of “Money Can’t Buy,” a single featuring Jeezy that charted outside the Top 40 of the R&B/Hip-Hop charts. Additional collaborative singles with Juicy J (the platinum hit “She Knows”) and Pitbull (“Time of Our Lives”) followed shortly thereafter. The parent album arrived in January 2015 with a Top Ten chart showing. Later in the year, he added to a previously short list of minor acting credits with appearances in Sharknado 3 and on Empire, and for a live televised stage production of The Wiz, he played Tin-Man.

Featured collaborations with the likes of Dimitri Vegas & Like Mike (“Higher Place”), Yunel and J Alvarez (“Sin Miedo”), and T-Pain (“Marry You”) arrived as Ne-Yo semi-regularly made television appearances as a judge on programs such as America’s Got Talent and World of Dance. In mid-2017, he began releasing singles in anticipation of his seventh album, including the tropical-flavored “Push Back.” Parent release Good Man arrived the following June and entered the Billboard 200 at number 33. In 2019, while he was still involved with World of Dance and active as an actor—including a role on Step Up: High Water and a guest appearance on Sherman’s Showcase—Ne-Yo released his first holiday album, Another Kind of Christmas. Several tracks arrived in 2020, including “Over Again” with Charly Black, “U 2 Luv” with Jeremih, and “Pinky Ring” featuring O.T. Genasis.


Patrice Rushen

Patrice Rushen is an award-winning musician and composer who is also one of the most sought after artists in the music industry. She is a classically trained pianist who originally found success in the 70’s and 80’s with her signature fusion of jazz, pop and R&B. During this era, she composed and recorded the hit song, “Forget Me Nots,” which has been frequently covered and sampled by other artists. Rushen is also a four-time Grammy nominee who has composed scores for movies and television. She has been the first female musical director for many of the entertainment industry’s top award shows, which include the Grammy Awards, the Emmy Awards, the People’s Choice Awards, the NAACP Image Awards and HBO’s Comic Relief.

Considered one of the world’s top jazz pianists, she has performed with many artists, among them such esteemed names as Stevie Wonder, Herbie Hancock, Prince, Nancy Wilson, Ndugu Chancler, Carlos Santana and Freddie Hubbard and Lee Ritenour. She is a record producer and an award-winning composer of symphonic music, some of which was commissioned by the Detroit Symphony Orchestra. Rushen is the “Ambassador For Artistry In Education” at Boston’s Berklee College of Music and is the Chair of the Popular Music Program at USC’s Thornton School of Music.

Rushen also spends time working with the Los Angeles Cultural Affairs Department, NARAS “Grammy In The Schools” program, and other organizations dedicated to establishing music education and mentorship programs for underprivileged youth.


Donna Caseine

As Executive Vice President Global Creative Director at Reservoir, Donna Caseine oversees the company’s Creative activity globally, identifying new talent to sign and facilitating creative opportunities for the company’s roster of songwriters, producers, and performing artists. Donna’s expertise has led to Reservoir’s signing of seven-time Grammy nominee Lauren Christy, four-time Grammy winner James Fauntleroy, and award-winning songwriters and producers including Ben Harper, Khris Riddick-Tynes, Marcus “MarcLo” Lomax, The Orphanage’s Trevor Brown, Zaire Koalo, and Keith “Ten4” Sorrells,” among others. She also oversees Creative for high-profile talent including Ali Tamposi, Mr. Franks, Danja, Illenium, and more.

Before joining Reservoir, Donna served a twenty-year tenure at Universal Music Publishing Group, where she acted as Senior Vice President of U.S./International Creative Affairs. In this role, Donna oversaw an impressive roster of prominent songwriters, producers, and performers of varied musical genre, such as Mariah Carey, Alanis Morissette, Ariana Grande, Ice Cube, Jill Scott, Raphael Saadiq, Julian Bunetta, Mike Elizondo, James Fauntleroy, and Prince, to name only a few.

Based in Los Angeles, Donna serves on the Boards of Directors for MusiCares and the Songwriters Hall of Fame and sits on the SHOF’s West Coast Events committee. She is a recipient of ASCAP’s Women Behind the Music Award and a voting member of the National Academy of Recording Arts and Sciences.


Steve Dorff

Honored as a 2018 Inductee to the prestigious Songwriters Hall of Fame in NYC, 3 time Grammy and 6 time Emmy nominated Steve Dorff has written songs sung by the likes of Barbra Streisand, Kenny Rogers, Celine Dion, Whitney Houston, Anne Murray, George Strait, Garth Brooks and countless others, while also establishing himself as a gifted film and television composer. He’s tallied over 40 BMI awards with hits like Rogers’ “Through the Years,” Murray’s “I Just Fall in Love Again” (Billboard’s top country hit of 1979), Strait’s “I Cross My Heart,” Lee Greenwood’s “Don’t Underestimate My Love for You,” and Eddie Rabbitt’s “Every Which Way But Loose” — the title track from Clint Eastwood’s 1978 film. His songs have charted in 5 successive decades, with #1 records across 4 decades.

Dorff has also composed TV music for Spenser: For Hire, Murphy Brown, The Singing Bee, Just the 10 of Us, Growing Pains, Murder She Wrote, Columbo and Reba; his other film contributions include songs and scores for Bronco Billy, Rocky IV, Pure Country, Tin Cup and Honky Tonk Man.

Key songs in the Dorff catalog include: “Through The Years,” “I Just Fall In Love Again,” “Heartland,” “Every Which Way But Loose,” “Hypnotize The Moon,” “I Cross My Heart,” and countless others recorded by over 250 Artists from all genres of music.

His many TV and cable movie credits include the Emmy nominated CBS mini-series Elvis, the Hallmark Hall of Fame Rose Hill, the animated Christmas classic Annabelle’s Wish, Babe Ruth, The Quick and The Dead, Moonshine Highway and The Defiant Ones. Dorff’s many movie songs and scores have been featured in Bronco Billy, Blast From The Past, Rocky IV, Pure Country, Tin Cup, Michael, Dudley Do-Right, Dancer, Texas, The Last Boy Scout, Curly Sue and Honky Tonk Man.

Perhaps Dorff’s most ambitious move to date has been a giant leap into his first love, musical theater. He currently has two projects making their way to the stage: Josephine (The Josephine Baker Story) and Pure Country (The Musical).


Carianne Marshall

Carianne Marshall is Co-Chair and COO of Warner Chappell Music, the global publishing arm of Warner Music Group. Marshall is at the forefront of a new generation of music executives at the intersections of creative and commercial, entertainment and technology. Known for being a champion of songwriters, Marshall’s dynamic, innovative approach drives the development and promotion of songwriters at all stages of a career.

Along with Warner Chappell’s Co-Chair and CEO, Guy Moot, Marshall oversees the company’s global business, which includes growing and strengthening the full spectrum of support services for its legendary roster of songwriters and rich catalog of songs. One of her first initiatives was the introduction of a new Creative Services department, focused on creating and finding new opportunities to serve songwriters.

Prior to joining the company in June 2018, Marshall ran the West Coast office of acclaimed independent music publisher SONGS, where she also served as Partner, Head of Creative Services, and Head of Creative Licensing. During her time at SONGS, the company built a roster of over 300 songwriters, signing Lorde, The Weeknd, Diplo, and many others. She has also held positions at Elektra Records, Universal Music Publishing, DreamWorks Music Publishing, and VOX Productions.

As one of the leading voices in the music industry, Marshall has been named one of Billboard’s “Women in Music: The Most Powerful Executives in the Industry” for the past five years running as well as included in the publication’s esteemed “Power 100” list in both 2019 and 2020. Marshall holds a BA degree in Communications from the University of Southern California.


Samantha Cox

Vice President, Creative, BMI

As Vice President, Creative, New York, Samantha Cox is responsible for overseeing the Pop, Rock and Indie team based in BMI’s New York office. She is also responsible for scouting and signing new songwriters and publishers, and maintaining relationships with existing BMI affiliates worldwide, as well as coordinating various songwriter nights, showcases and seminars. Samantha plays an important role in the lives of songwriters, helping them build their careers through a number of outlets, including assembling their team, setting up collaborations and educating songwriters on the mechanics of the music industry.

She was promoted to this role in 2017. Previously, Cox was Assistant Vice President, Creative, New York at BMI where she launched several successful programs including, BMI’s Speed Dating for Songwriters™, BMI Pick of the Month, the Annual BMI Acoustic Brunch at the South by Southwest (SXSW) Festival, and the Eight-Week Songwriters Workshop.

As a 20-year veteran of BMI, Cox has been a critical force in the songwriter community, and has been instrumental in shaping the careers of numerous BMI songwriters including Lady Gaga, Halsey, Ammar Malik, Bebe Rexha, 3 Doors Down, Shinedown, My Chemical Romance, Howie Day, Yeah Yeah Yeahs, Flyleaf and many others.

In addition to cultivating the careers of BMI’s songwriters and composers, Cox also developed and maintained key relationships with managers, attorneys, business managers, agents and record label executives.

She joined BMI as an intern in 1996 and was quickly hired by the Performing Rights department where she was Senior Researcher until her promotion in 1999 to Associate Director, Writer/Publisher Relations. She was promoted to Director in 2002, to Senior Director in 2004 and Executive Director in 2010.  Soon after, she was appointed to AVP of Writer/Publisher Relations at BMI and is currently an officer of the company.

Her varied experience in the music industry includes public relations at radio station KUTZ in Austin, promotions at PolyGram Records, and owner of her own promotions company. Outside of BMI, Cox is a trustee of the New York Chapter of the Recording Academy, the Vice President of the BMI Foundation and sits on the board of the Songwriters Hall of Fame. She attended Texas State University at San Marcos where she studied advertising and business.


Jody Klein

Jody H Klein is currently owner and CEO of ABKCO Music & Records, Inc, the seminal music publishing and record label for an incredibly diverse catalog including all of the compositions and corresponding master recordings by Sam Cooke (“You Send Me”, “Having A Party”), Ray and Dave Davies (“Lola”, “Waterloo Sunset”) and Bobby Womack (“Breezin’” , “Across 110th Street”), Jagger/Richards “(I Can’t Get No) Satisfaction” and “Jumping Jack Flash.”

During his tenure as CEO, ABKCO has become a major influence in the domestic copyright discussion with Klein’s instigation of legal initiatives providing strong supporting evidence to the Copyright Office and DOJ on behalf of independent music publishers and as the only independent record label to participate in the pre-1972 lawsuits against Sirius and Pandora. He works diligently to protect his songwriters and artists rights and history by expanding their legacy through licensing and innovative cross promotional opportunities including legitimate theatre and film. His business relationships with directors and artists have led to ABKCO’s involvement in award winning Grammy, Oscar, BAFTA, Lion and Clio projects.

Jody has also produced the Golden Globe and Oscar-nominated film One Night In Miami… (based on the Olivier-nominated play by the same name) released in December 2020 and directed by Oscar winning actress Regina King. The film features Sam Cooke’s most celebrated repertoire, including “You Send Me,” “Chain Gang,” “Good Times,” and “A Change Is Gonna Come.” The soundtrack also includes “Speak Now,” a powerful original song written by Leslie Odom Jr. and Sam Ashworth.

Prior to his appointment in 2006, Klein was Managing Director of ABKCO’s eleven worldwide wholly owned publishing subsidiaries. He was instrumental in the implementation of technological advances in re-mastering and re-introducing ABKCO’s corresponding master recordings to new generations of fans; these recordings in turn have lent a new lease of life to the marketability of the compositions. Under Klein’s leadership, ABKCO has become one of the largest revenue generating, family owned, privately held, independent music publishers and record companies. Jody currently serves on the Board of the National Music Publishers Association (NMPA) and has done so since 2015. He is also a founding board member of IMPEL.

Jody Klein graduated from Skidmore in 1985 with a BA in Business and Government. In addition to creating a mentor program at ABKCO, Jody lectures on the music business at his alma mater and is involved in setting Skidmore’s music business syllabus.


Pete Ganbarg

Pete Ganbarg is President of A&R for Atlantic Records as well as President of ATCO Records, a division of Atlantic.  He joined the Atlantic Records Group as Executive Vice President of A&R in late 2008.

A 30+ year A&R veteran, Pete has also held senior A&R positions at Arista, Epic and SBK/EMI. As a publisher, Pete operates Songs With A Pure Tone and Margetts Road Music, joint ventures currently in partnership with Warner Chappell Music. Its writers have achieved multiple gold and platinum certifications over the past several years.

At Atlantic, among the artists and projects that Pete has signed and/or A&R’d are Grammy Award winning artists twenty one pilots, Halestorm and Jason Mraz; platinum and multi-platinum artists Christina Perri, Melanie Martinez, Skillet, Brett Eldredge, Matchbox Twenty & Rob Thomas, Theory Of A Deadman and Icona Pop; as well as the Original Broadway Cast Recordings of “Hamilton,” “Mean Girls,” “Jagged Little Pill,” “Dear Evan Hansen” and the Multi-Platinum Billboard #1 soundtrack album “The Greatest Showman,” the latter two of which he also co-produced.

Pete has received two Grammy Awards: the first in 2017 for his role as producer on the Original Broadway Cast Recording of “Dear Evan Hansen” and more recently, in 2021, for his role as producer on the Original Broadway Cast Recording of “Jagged Little Pill.”

Ganbarg began his A&R career in 1989 at SBK Records. In 1997, he joined Clive Davis at Arista Records, where, as Senior Director of A&R, he conceived and A&R’d Santana’s 30x platinum worldwide, nine-time Grammy-winning “Supernatural.”

Prior to joining Atlantic, Ganbarg headed Pure Tone Music, one of the industry’s leading A&R consulting firms, whose success stories included Kelly Clarkson, Daughtry, Chaka Khan, Santana, Train, Aaron Neville, Donna Summer and others.

Pete lives in Hillsdale, NJ with his wife Tracy and their two daughters, Peri and Julia.  He is a graduate of Wesleyan University.


Randy Grimmett

CEO, Global Music Rights

With over two decades of performing rights experience, Randy Grimmett currently serves as CEO of Global Music Rights. Founded in 2013 with long-time industry veteran Irving Azoff, the company is the first entrant into the performing rights marketplace in nearly 75 years. At this boutique PRO, Randy takes a hands-on approach in every facet of the business, from client acquisition and license negotiations to international operations and music rights advocacy.

Before taking on his current role, Randy led a team of over 100 employees as EVP of Membership at ASCAP. In his 19 years at ASCAP, Randy was an integral part of ASCAP’s market share expansion, increasing distributions, and developing the hugely successful ASCAP ‘I Create Music’ Expo.

Randy began his music career as an attorney in business affairs while managing a band in Oklahoma. A state-native, Randy attended The University of Oklahoma and received both a B.A. and a J.D. there.


April Anderson

Deputy Secretary

April Anderson joined the Songwriters Hall of Fame in 1998 and is the Marketing and Communications Director as well as the Deputy Secretary.

She was showcased by the organization in 1997 as a singer/songwriter, and her background includes voice overs for several national radio commercials including Stagelight Cosmetics, Propa PH, Lane Bryant, American Beauty Spaghetti, Wrangler and more. She spent twenty years in retail, including ten years as a cosmetics and beauty services store owner on New York City’s Upper West Side.

She is also a photographer and the cinematographer/director/editor for award-winning documentary films; Beyond The Paint, Tails of Iceland and Fire & Iceland.

April has covered events for the Songwriters Hall of Fame for years as an in-house photojournalist, as well as conceiving and editing opening video montages for their Annual Induction and Awards Galas.


Nile Rodgers

Chairman

Among music legends, Nile Rodgers is truly exceptional. He amplifies his legacy as a multiple GRAMMY-winning composer, producer, arranger and guitarist by constantly traversing new musical terrain and successfully expanding the boundaries of popular music. As the co-founder of CHIC and the Chairman of the Songwriters Hall of Fame, Rodgers pioneered a musical language that generated chart-topping hits like “Le Freak,” (the biggest selling single in the history of Atlantic Records) and sparked the advent of hip-hop with “Good Times”. Nile transcends all styles of music across every generation with a body of work that’s garnered him inductions into the Rock & Roll Hall of Fame and the Songwriters Hall of Fame.

Currently, Nile serves as the first-ever Chief Creative Advisor for the incomparable Abbey Road Studios and he recently launched the critically acclaimed Apple Music 1’s “Deep Hidden Meaning Radio with Nile Rodgers”.

His unforgettable live performances with CHIC have been included in “festival best performances” at both Glastonbury and Coachella resulting in a BBC Music Awards nomination for “Best Live Performance”, and the LA Times stating “Nile Rodgers influence stretches all over Coachella, beaming the sound of a better future”.

Nile’s work in the CHIC Organization and his productions for artists like David Bowie, Diana Ross, and Madonna have sold over 500 million albums and 75 million singles worldwide while his trendsetting collaborations with Daft Punk, Avicii, Keith Urban, Disclosure, Sam Smith and Lady Gaga reflect the vanguard of contemporary music.


Tom Kelly

CFO & Treasurer

Tom began his career in music at EMI Music Publishing in November 1991, after having worked in public accounting at Ernst and Young.

While at EMI, Tom held a number of positions, including Senior Vice President of Finance for North America and Executive Vice President of Worldwide Finance. In January 2008, he was appointed Chief Financial Officer and became responsible for EMI Music Publishing’s accounting and finance operations worldwide.

Tom held that position at EMI until the company was sold in 2012, at which point he joined Sony Music Publishing as Executive Vice President, Finance and Administration.

In April 2019, Tom was appointed Global Chief Financial Officer. Tom is a graduate of Rutgers University and a Certified Public Accountant.


John H. Josephson

SESAC Rights Management, Chairman and CEO

John has served as Chairman and CEO of SESAC, a leading music licensing and rights management company, since 2014. He has been an investor in, and director of, the company since 1992, following its acquisition by Allen & Company Inc. in partnership with an investor group. SESAC was acquired by affiliates of The Blackstone Group in February 2017. Blackstone’s acquisition of SESAC was the first investment as part of its Core Equity strategy, which is specifically designed to hold investments for much longer periods of time than traditional private equity funds, with an initial target of 10-15 years or more. Previously, John was a Managing Director at Allen & Company LLC, where he worked with companies in the media, entertainment and consumer internet and technology industry verticals including The News Corporation, Time Warner, Sony Corporation of America, AOL, Viacom and The Chernin Group.

John currently serves as a member of the Board of Trustees of the Paley Center for Media, the Dean’s Advisory Board of the College of Arts & Sciences at Cornell University and the New York Advisory Board of Teach for America. John is a member of the Council on Foreign Relations, the Recording Academy, the Academy of Country Music and the Country Music Association.

John received a Master of Business Administration degree with high distinction in 1987 from Harvard Business School, where he was elected a George F. Baker Scholar. He received a Bachelor of Arts degree, summa cum laude, from Cornell University in 1983.


Jon Platt

Chairman & CEO of Sony Music Publishing

Jon Platt is Chairman & CEO of Sony Music Publishing, the number one global music publisher. Since his appointment in April 2019, Platt’s inclusive leadership style has reshaped the corporate culture and created a powerful example for the music industry.

Under Platt’s watch, Sony Music Publishing has significantly increased representation by women on the company’s senior leadership team. He has also attracted key new signings and executive talent, as well as expanded opportunities available to songwriters. With a mantra to always put songwriters first, the company is setting the standard on how songwriters are paid and was the first music publisher to expedite foreign royalty payments.

Culturally, Platt is acknowledged for his influence as a creative executive. He is widely credited for bringing hip-hop music to dominance in the music publishing industry by elevating how R&B/hip-hop artists are respected and compensated as songwriters. Throughout his career, he has signed and collaborated with prominent songwriters including Jay-Z, Beyoncé, Kanye West, Pharrell Williams, Rihanna and Usher.

Platt previously served as Chairman & CEO of Warner Chappell and led the company’s turnaround. Platt also worked for 17 years at EMI Music Publishing. He has received numerous honors including Billboard’s “Power 100”, SESAC’s “Visionary Award”, Morehouse College’s “Candle Award” and City of Hope’s prestigious “Spirit of Life” award. In 2005, he launched the Big Jon Platt Scholarship Program for high school students from his hometown of Denver attending college.


Nancy Munoz

As a music producer and manager, Nancy Munoz has facilitated countless recordings and events over the past thirty-five years covering nearly all aspects of the music business.

An ardent supporter of creative and spiritual endeavors through the transformational power of music and horses, she has dedicated much of her effort to education, humanitarian and philanthropic work.

As a Professional Association of Therapeutic Horsemanship certified instructor, she is developing a pioneering music and equine therapy program to include those with Alzheimer’s and early-onset dementia.

http://www.hoofbeatsandhealing.com/


Elizabeth Matthews

Senior Vice President

Elizabeth Matthews is Chief Executive Officer of ASCAP, the American Society of Composers, Authors & Publishers (ASCAP), a membership association of more than 525,000 US composers, songwriters, lyricists and music publishers of every kind of music.

Beth joined ASCAP in 2013 as Executive Vice President and General Counsel, overseeing the ASCAP Business & Legal Affairs department. In that role, she oversaw business affairs, litigation, strategic alliances, and legislative and copyright policy matters. She was instrumental in leading ASCAP’s advocacy efforts to modernize music licensing, including reform of its Consent Decree, spearheading a transformative six-year strategic plan to meet the future needs of ASCAP’s members and licensing partners, and closing major deals with licensees.

Previously, Beth worked at Viacom Media Networks (formerly MTV Networks), where she held the position of Executive Vice President & Deputy General Counsel. She managed and oversaw the VMN Business and Legal Affairs teams covering Advertising, Content Distribution and Marketing, New Business Development, Global Digital and New Media and the VMN Mergers and Acquisitions Pipeline, Research and various Ancillary Businesses. Beth was also responsible for drafting, structuring, reviewing and negotiation of strategic and complex commercial transactions across Viacom Media Networks’ programming services, including MTV, Comedy Central, VH1, CMT, Spike and Nickelodeon, among others. Prior to Viacom Media Networks, Matthews worked in the Intellectual Property and Corporate Groups for Chadbourne & Parke and the Business Technology Group for Milbank, Tweed, Hadley & McCloy. Beth received her B.A. from Purdue University and her J.D. from Emory School of Law.


Mike O’Neill

Senior Vice President

Mike O’Neill is President and Chief Executive Officer of BMI® (Broadcast Music, Inc.®). In this role, Mr. O’Neill oversees all of BMI’s business operations, both domestically and globally, and directs the Company’s strategic growth to benefit BMI’s songwriters, composers, music publishers and licensees. He is also a member of BMI’s Board of Directors.

Under Mr. O’Neill’s leadership, BMI has reported its highest-ever revenue and distributions to its affiliated songwriters, composers and publishers. Notably, BMI became the first music rights organization in the world to deliver more than $1 billion in public performance royalties to its affiliates. Additionally, Mr. O’Neill spearheaded BMI’s historic victory over the U.S. Department of Justice to ensure the continued practice of fractional licensing. He has also overseen exponential growth year-over-year in both signing up tens of thousands of new affiliates to the Company and processing trillions of performances, adapting to the seismic digital shift in how music is consumed.

Mr. O’Neill has served BMI for 26 years. Prior to his current role, he oversaw all aspects of BMI’s Creative team, as well as Domestic Licensing and revenue generation, including radio, television, cable, satellite, and the general licensing division, while managing royalty distributions and administrative services groups. He has led licensing negotiations, developed new licenses and sales policies and spearheaded a new customer relations campaign. He was also instrumental in developing the groundbreaking BMI Live program, which pays performing songwriters for live performances in small venues.

Mr. O’Neill joined BMI in 1994 as Director, Group and National Accounts, from CBS-TV Network, where he was Director, CBS Affiliate Relations. Within two years, he was appointed Assistant Vice President, Media Licensing, and two years later, Vice President, Sales and Administration, Media Licensing. In 2006, he was appointed Senior Vice President, Licensing, and in 2010, Senior Vice President, Repertoire and Licensing. In September of 2013, he received his appointment as Chief Executive Officer and assumed the additional title of President in July of 2014.

Mr. O’Neill holds an MBA from Rutgers University in Marketing and Finance and received his undergraduate degree in Business Administration from Montclair University. He is Chairman of the Board of FastTrack and sits on the Board of Directors for the Songwriters Hall of Fame, the Broadcasters Foundation of America, National Association of Broadcasters Leadership Foundation and Monmouth Medical Center Foundation. He also serves as Honorary Chair of the BMI Foundation. In 2019, O’Neill was honored with the T.J. Martell Legacy Award and was inducted into the Broadcasting & Cable Hall of Fame.


Fletcher Foster

President/CEO, F2 Entertainment

You’d expect a Nashville music executive’s resume to include the likes of Keith Urban, Garth Brooks, Alan Jackson, Brad Paisley, and Brooks & Dunn.  You might not expect to see names like Whitney Houston, Annie Lennox, Patti LaBelle, TLC and the rock band Live.  Foster’s stints at labels in Los Angeles and Nashville have given him one of the most varied and eclectic backgrounds on Nashville’s Music Row. 

After graduating from Nashville’s Belmont University, he joined the staff of Sony Records/Nashville working with a roster that included Rosanne Cash, George Jones, Willie Nelson, Merle Haggard, Tammy Wynette and Johnny Cash among others.  In 1990, he moved to Los Angeles to work for Arista Records.  At Arista, he worked with Toni Braxton, Whitney Houston, Barry Manilow, TLC, Kenny G., Annie Lennox and more.

Returning to Nashville, he took a position as Senior Vice President, Marketing for Arista Records/Nashville.  In 1999 Foster was the Executive Producer of “Happy Texas” the label’s first soundtrack which earned two Grammy nominations.  He left Arista to join Capitol/Nashville as Senior Vice President, Marketing, a position he held for six years, helping build the careers of artists like Keith Urban, Dierks Bentley, Eric Church and Trace Adkins.
In 2010, he co-produced the first annual AMERICAN COUNTRY AWARDS on Fox-TV.  The two-hour show ran for three years and became the only purely fan-voted country awards program recognizing artists in all aspects of the industry (radio airplay, single/album sales, video airplay, online visibility and touring).  In 2013, he was Executive Producer of the Alabama & Friends album and TV special (featuring the Country Music Hall of Fame group performing with other artists including Jason Aldean, Luke Bryan, Eli Young Band, Florida George Line, Jamey Johnson, & Trisha Yearwood).  The following year, Foster launched Iconic Entertainment, signing Kelsea Ballerini – an unknown singer/songwriter who garnered numerous award and nominations including a Grammy nomination for “Best New Artist”.  Foster oversaw all aspects of her career including being the first female artists since Carrie Underwood to have her debut single go #1.  Ballerini went on to earn 3 more #1 singles and a Top 5 single.

Foster is currently President/CEO of F2 Entertainment - a company serving all aspects of the industry including artist management, record label, music publishing, television, artist development and strategic partnerships.  A Nashville-based company - but global in nature - representing all genres of music and talent.  Current clients include Kim Carnes, Jessie James Decker, Levi Hummon, Kelly Paige and Runaway June.
 
The Kansas native is on the Board of Trustees of the National Association of Recording Arts & Sciences (NARAS), the Advisory Board of Gilda’s Club and the Past-President of the Board of Directors for Make-A-Wish of Middle Tennessee.  He is on the Board of Directors of The Songwriter Hall of Fame, and Board of Directors of Leadership Music, the Nashville Convention and Visitors’ Bureau Council, and Chaired the Music Makes Us Advisory Board (the music education program for Nashville public schools).  In 2001, he was named Belmont Alumnus of the Year.  In 2003, he was named one of The Tennessean’s “Top 40 Under 40” and was selected as one of the judges for the MISS AMIERICA PAGAENT in Atlantic City, NJ.  In 2009, he was inducted as an Honorary Member of the Tennessee State Museum’s Costume and Textile Institute.  Additionally, he has served on the Board of the Nashville Film Festival (NaFF), Minnie Pearl Foundation, and MusiCares.


Mary Jo Mennella

Secretary

Founder/CEO of Music Asset Management, Inc.

As one of the most well-known and respected rights administration and licensing experts in the industry, Mary Jo Mennella is the owner and CEO of Music Asset Management, Inc. (MAM), a leading independent music publishing and consulting company she founded in 2006.

With expansive worldwide relationships and broad experience, her team manages administration for a multitude of rights owners and creators, including world renowned songwriters and composers, film and TV studios, music publishers and various media companies.

Music Asset Management has been entrusted to manage many of today’s biggest hits, such as “One Margarita” by Luke Bryan, “Rainbow” by Kacey Musgraves, as well as the classic “Route 66” by the late Bobby Troup.  The company also represents major composers, including Oscar nominee and Emmy winner Mark Isham and Emmy nominee Miriam Cutler, as well as many award-winning independent music publishing companies. Mennella was a Founder and CEO of Pulse Publishing Administration in a venture with the Pulse Music Group, an AIMP Publisher of the Year winner, until its recent sale to Concord Music Publishing.

Prior to launching Music Asset Management, Mennella was the Senior Vice President/ GM of Music Publishing at Fox Filmed Entertainment, where she oversaw the publishing and master recording catalogs for 20th Century Fox and its affiliated production units. Before joining Fox, Mennella was a key executive at Saban Entertainment and at ASCAP, where she began her career in the entertainment business.

An accomplished musician, an advocate for creators’ rights, and a champion of songwriters, Mennella serves on the board as Secretary of the Songwriters Hall of Fame and West Coast Committee Chair and is a Director on the boards of IMPEL (the independent music publishing collective for digital rights) and the IMPF (the International Music Publishers Forum).  Among her many philanthropic industry associations, she is a Past Chairman of the Music & Entertainment Industry for City of Hope and a Past President of the AIMP.


Paul Williams

Paul Williams is one of the most beloved and respected music creators in the world today. A lyricist and composer who has won an Oscar Award, three Grammy Awards, two Golden Globe Awards, an Ivor Novello International Award, and earned induction into the Songwriters Hall of Fame, his songs, from “We’ve Only Just Begun,” “Rainy Days and Mondays” and “You and Me Against the World” to “An Old Fashioned Love Song,” “Let Me Be the One” and “The Rainbow Connection,” have touched millions of people for generations. As President and Chairman of the Board of the American Society of Composers, Authors and Publishers (ASCAP), he is also a leading spokesman for music creators in the digital age.

Williams’ standards have been recorded by such diverse musical icons as Elvis Presley, Frank Sinatra, Barbra Streisand, Ella Fitzgerald, Ray Charles, David Bowie, Tony Bennett, The Carpenters, Diana Ross, Luther Vandross, Willie Nelson, Gonzo and Kermit The Frog. Although Williams is widely known as an actor in dozens of films and on television, it is his musical legacy that continues to inspire. His songs and scores have received six Oscar, nine Grammy, six Golden Globe and two Emmy nominations. “The Rainbow Connection,” from the children’s classic The Muppet Movie, is one of two of Williams’ songs that grace the American Film Institute’s List of Top Movie Songs of All Time; the second, “Evergreen,” is from the award-winning Barbra Streisand/ Kris Kristofferson remake of A Star Is Born. Additional song scores include the cult favorites Phantom of the Paradise and Ishtar, as well as The Muppet Christmas Carol, Bugsy Malone, and Emmet Otter’s Jugband Christmas, the latter of which has now been adapted for the stage. Paul created the story and wrote the songs for Disney’s Emmy-nominated A Muppets Christmas: Letters To Santa and penned the music and lyrics for Garry Marshall’s theatrical sensation Happy Days. His recent work has remained wonderfully diverse, having co-written “Beyond” and “Touch” (which he also performed, receiving a Grammy as Featured Artist) on Daft Punk’s chart-topping, ‘Album of the Year’ Random Access Memories; and writing with Gustavo Santaolalla for the animated film, The Book of Life which received a World Soundtrack Award for their “Apology Song”. They are currently working on Guillermo del Toro’s stage musical adaptation of Pan’s Labyrinth.

In addition to music creators’ rights, Paul is also passionate about recovery, and works tirelessly to destigmatize alcoholism and addiction. His career, life, and work in recovery have been chronicled in the acclaimed documentary, Paul Williams Still Alive, for which Paul wrote the critically acclaimed title track. Sober 28 years, his humorous observations of life, love, and creativity, augmented by the education and knowledge he gained through his studies and certification from UCLA as a Certified Drug Rehabilitation Counselor, has been shared in a best-selling book co-written by Tracey Jackson, entitled Gratitude and Trust: Six Affirmations That Will Change Your Life which was featured on Oprah’s Super Soul Sunday.

While publicly lauded for his work as a songwriter, author and actor, most recently for his recurring role with Billy Bob Thornton in Goliath, Paul predicts he’ll be remembered for playing Little Enos in the Smokey and the Bandit trilogy and for his lyrics to “The Love Boat” theme. However, it is the lyrics from Bugsy Malone that aptly sum up his philosophy: “You give a little love and it all comes back to you; You’re gonna’ be remembered for the things that you say and do”. As a devoted husband to writer Mariana Williams and proud father, Paul considers his son Cole, and daughter Sarah, to be his best work.

paulwilliamsofficial.com


David M. Israelite

Senior Vice President

David M. Israelite is President and CEO of the National Music Publishers’ Association (NMPA), a position he has held since February 2005.

Founded in 1917, NMPA is the trade association representing all American music publishers and their songwriting partners. NMPA’s mandate is to protect and advance the interests of music publishers and their songwriting partners in matters relating to the domestic and global protection of music copyrights. Israelite is responsible for overseeing all aspects of NMPA’s operations, from legal strategy and business affairs to government relations and advocacy.

His leadership has produced revolutionary successes on behalf of publishers including the largest CRB rate increase in history, groundbreaking industry collaboration in royalty rate agreements, landmark settlements and model licenses with streaming platforms, and ultimately raising the profile of the publishing community. Additionally, Israelite was instrumental in guiding the effort to modernize copyright laws culminating in the Music Modernization Act (MMA) and the subsequent creation of the Mechanical Licensing Collective (The MLC).

He has been named to Billboard’s Power 100 multiple times and serves on the boards of the Songwriters Hall of Fame, the Country Music Association and Special Olympics DC. He also serves as the President of the NMPA S.O.N.G.S. Foundation (Supporting Our Next Generation of Songwriters) which supports songwriters through funding scholarships and direct services, among other assistance.

Prior to joining NMPA, Israelite served as Deputy Chief of Staff and Counselor to Attorney General John Ashcroft. In addition to his general management responsibilities, Israelite served as the Attorney General’s personal advisor on all legal, strategic and public affairs issues. In March of 2004, the Attorney General appointed Israelite Chairman of the Department’s Task Force on Intellectual Property. As Chairman, he led a team of high-ranking officials in examining all aspects of how the Department of Justice handled intellectual property issues and implemented proposals developed by the Task Force.

Previously, Israelite served as the Director of Political and Governmental Affairs for the Republican National Committee (RNC). In that role he was the senior advisor to the Chairman of the National Republican Party and was responsible for the Republican Party’s Campaign Operations, Government Affairs, Research, and Presidential Liaison Divisions. Prior to joining the RNC, Israelite was Missouri Senator Kit Bond’s Administrative Assistant (Chief of Staff) making him the youngest AA in the United States Senate. Israelite also served as Campaign Manager for Senator Bond’s successful 1998 re-election campaign.

From 1994 through 1997, Israelite practiced law in the Commercial Litigation Department at the firm of Bryan Cave, LLP in Kansas City, Missouri. Israelite earned his Juris Doctor from the University of Missouri in 1994 and received a B.A. in a double major of Political Science and Communications from William Jewell College in 1990. While in college, Israelite was named Top Speaker by the National Cross Examination Debate Association, recognizing him as the nation’s top collegiate debater.


John Titta

John Titta started his life in music as a musician, songwriter and music teacher. He began his publishing career with Screen Gems/EMI Music as Professional Manager, signing such acts as Surface and The Smithereens. He worked with legendary songwriters Carole King and Lou Reed, and had songs covered by Tina Turner, Grover Washington Jr., Alice Cooper, Joan Jett and Dave Edmunds.

He then moved to PolyGram Music Publishing as Vice President of A & R, signing artists Bon Jovi, Richie Sambora, Pearl Jam, Brian McKnight, k.d. lang, Billy Ray Cyrus and songwriter Jimmy Webb. He was also responsible for individual hit songs including “Save The Best For Last” by Vanessa Williams and “The Folks That Live On The Hill” by Tony Bennett. Titta was credited for his A&R work on the compilation album Two Rooms, A Tribute To Elton John and Bernie Taupin and multiple movie soundtracks, such as Young Guns II: Blaze of Glory, Days Of Thunder, Scream, Bruce Almighty, Varsity Blues and more.

From 1993 - 2006, Titta served as Senior Vice President / General Manager of Warner Chappell Music, Inc. in New York, where he signed such acts as Trey Songz, Fat Joe, Missy Elliott, Kid Rock, Collective Soul, India.Arie, Gavin DeGraw, Cassandra Wilson, Dan Wilson (Semisonic), Uncle Kracker, Shaggy, Simple Plan, Duane Eddy and Bruce Hornsby. He also scored success with individual hits such as the Grammy Award-winning “Smooth” by Santana, “Cry Me A River” by Justin Timberlake, “Lean Back” by Terror Squad,” “Waiting For Tonight” by Jennifer Lopez, “One Of Us” by Joan Osborne, “I Love You Always Forever” by Donna Lewis, “Pon De Replay” by Rihanna and many more, including songs recorded by Celine Dion, Ricky Martin, Patty Loveless and Marc Anthony.

In 2006, Titta struck out on his own to become President and CEO of his independent company, MPCA Music Publishing and Recordings, that featured the catalog of Blues legend Robert Johnson and songs by Sammy Cahn and Jack Wolf, among others, with songs recorded by Led Zeppelin, Frank Sinatra, Billie Holiday, John Mayer, Bob Dylan, Cyndi Lauper, Aretha Franklin and more.

He has performed on albums by Ringo Starr and Gizelle D’Cole and has played with Michael McDonald, The Doobie Brothers, Duane Eddy, Richie Sambora and Omi.

Always an avid supporter of songwriters and their rights, Titta moved to ASCAP in 2013, where he is currently EVP of Membership.

Other accomplishments include his work with Bon Jovi keyboardist David Bryan on the Tony Award winning musical Memphis, and Producer and A&R work on albums by Dionne Warwick, Todd Rundgren, Melinda Doolittle, Smash Mouth and Donny & Marie Osmond.


Irwin Z. Robinson

Irwin Z. Robinson is Vice President, Industry Affairs for Cromwell Music. Headquartered in New York, Mr. Robinson formerly served as Chairman of Paramount Allegra Music, the worldwide music publishing division of Viacom’s Paramount Pictures. Prior to Paramount Allegra, Mr. Robinson served as Chairman and Chief Executive Officer of Famous Music Publishing. At Famous, Robinson’s mandate was to grow the company domestically and internationally. Within eight years, Famous had moved solidly into the mainstream of contemporary music by streamlining and modernizing its operations, dramatically expanding its catalogue and activities, and moving aggressively into the global arena. When Viacom sold Famous to Sony/ATV in 2007, it was ranked as one of the industry’s top 10 companies.

Before leading Famous, Mr. Robinson headed two of the industry’s leading international music publishing companies – the Chappell/Intersong Music Group–USA and EMI Music Publishing Worldwide. He was appointed President of the legendary Chappell/Intersong in 1977, serving concurrently as Senior Vice President of parent company Chappell and Company, Inc., starting in 1985. After the merger of Chappell and Warner Bros. Music in 1987, he was asked to re–join EMI and was named President and Chief Executive of EMI Music Publishing Worldwide.

Mr. Robinson was admitted to the New York State Bar in 1962. In 1964, he joined Screen Gems–Columbia Music as House Counsel and subsequently became Vice President and General Manager. Mr. Robinson held that position following EMI’s purchase and consolidation of the company into Screen Gems–EMI Music, Inc.

One of the music publishing industry’s most dynamic and innovative leaders, Mr. Robinson was honored with the prestigious Abe Olman Publisher Award for lifetime achievement in music publishing at the 29th Annual Songwriters’ Hall of Fame Awards Dinner and Induction Ceremony on June 10, 1998. He is presently Chairman of the Board of the National Music Publishers Assocation and the Harry Fox Agency. He is a member of the ASCAP Board of Directors and serves on the Executive Committee of both ASCAP and NMPA. Mr. Robinson is also on the Board of the Songwriters Hall Of Fame and has served as a trustee of the U.S. Copyright Society.


Linda Moran

President & CEO

Linda started her career in the music industry as a secretary in the A & R department at RCA Records before joining Atlantic Records where she worked her way up to Senior Vice President. When Warner Music was formed, she was promoted to corporate Vice President and then corporate Senior Vice President of Group and Internal and External Relations for Warner Music Group. As its first female executive, her areas of responsibility included Artist Relations, Industry Relations, Public Affairs, Community Relations, Events and Special Projects, Human Resources and Charitable Contributions for WMG and its companies. She also acted as WMG’s liaison with its parent corporation, Time Warner, as well as all of the Time Warner companies including HBO, Warner Bros. Inc., Time Inc., Time Warner Cable, Warner Books, Time Warner Cable, Turner Corporation and Turner Network. In fulfilling these roles, she created and facilitated projects and programs nationally and internationally including Canada, England, France, Switzerland and South Africa.

After spending three decades at Atlantic Records/Warner Music Group and wanting to pursue new challenges, Linda was appointed as a Special Advisor to Time Warner’s Chairman and CEO, Jerry Levin, and President and COO, Dick Parsons, on music-related special projects, events and issues. Known for her unique blend of skills and experience, Linda is especially respected for the strong relationships she has built with artists and industry colleagues throughout her long tenure in the music business. Combining her widely-known active participation, leadership and key development skills with her experience and knowledge, she has been a member, officer and/or founding board member of, or assisted in restructuring, a number of industry boards and organizations, including most notably serving as an officer of the Recording Academy for two decades and MusiCares, of which she was also a founding board member. In recent years, she has resigned from most boards in order to put all of her time and efforts into the continuing growth of the Songwriters Hall of Fame, of which she was elected President in 2001 and President and CEO in 2011.

Among the honors bestowed upon her for her unique contributions to the recording industry and for her numerous philanthropic efforts are the Recording Academy’s New York Heroes Award, The Latin Songwriters Hall of Fame’s La Musa Founders Award, Dick Clark’s National Foundation’s Music Founders Club Award, The Elaine Kaufman Cultural Center’s Distinguished Service Award and The YWCA’s Women Achievers Award. She was presented with the Songwriters Hall of Fame’s first-ever Champion Award at its 50th Anniversary Induction & Awards Gala in June 2019, and was honored with NAMM’s Believe In Music Award in 2021.

Linda represents the Songwriters Hall of Fame as a federally appointed member of the Library of Congress National Recording Preservation Board, which is charged with advising the Librarian of Congress on the evaluation, collection, preservation and induction of recordings deemed to be culturally, historically or aesthetically significant into the prestigious National Recording Registry.

Linda resides in Palm Beach Gardens, Florida with her husband, retired RCA/BMG Studios master recording engineer, Mike Moran.


Evan Lamberg

Universal Music Publishing President, North America


Evan started his music publishing career working at Berry Gordy’s Jobete Music (the publishing wing of Motown Records), in 1988, as Creative Manager after graduating from New York University.

He went to work for MCA Music Publishing in 1990 as Director of Creative Services. During his time there, he was responsible for working with the entire MCA songwriter roster as well as signing the successful songwriting- production team of Cory Rooney and Mark Morales who went on to be the force behind Mary J. Blige’s breakthrough hit “Real Love.”

In 1991, Evan joined EMI Music Publishing as Creative Director under the mentorship of then Chairman Martin Bandier. He became Sr. Vice President, Creative, in 1995, overseeing activity for the East Coast. In 1998, his role expanded to Executive Vice President Creative, North America continuing his endeavors and taking on additional corporate responsibilities. In 2007, Evan was named Sr. Creative A&R and Music Innovations, North America taking on the task of helping to build EMI Music Publishing’s Music Innovations Division and dealing in creative and business relationships with such powerhouse corporate entities as Microsoft, Pepsi and ESPN.

At EMI, Evan signed or worked with such artists and songwriters as Rob Thomas of Matchbox Twenty, Bad Boy CEO Sean “Diddy” Combs, Pink, Pharrell Williams, Hootie and The Blowfish, Idina Menzel, Paula Abdul, Jewel, LL Cool J and Regina Spektor. His work with EMI songwriters has led to their songs being recorded by artists such as Celine Dion, Carlos Santana, Barbra Streisand, Cher, and Rod Stewart.

In 2008, after seventeen years at EMI Music Publishing, Evan joined Gibson Guitar Corp. as Executive VP Operations / Global Entertainment Relations overseeing worldwide marketing, branding and talent relations spanning 13 countries with over 100 marketing executives and consultants.

2009 saw Evan transitioning back to his love of music publishing as Executive VP Creative, East Coast for Universal Music Publishing. He was promoted to President of Universal Music Publishing, North America in 2011 relocating to its world headquarters in Santa Monica, California.

During his time at Universal, Evan has signed or worked with such artist- songwriters as Justin Bieber, Mariah Carey, Imagine Dragons, Miley Cyrus, Prince, Gloria & Emilio Estefan, Josh Groban, Carly Rae Jepsen, Billy Joel, Jon Bon Jovi, Avril Lavigne, Benny Blanco, Craig David, Neil Diamond, Jimmy Jam & Terry Lewis, Bryan Adams, Heart and Randy Newman.

His Board positions include sitting on the Board of Directors of the Songwriters Hall of Fame; Carnegie Hall Board of Trustees; ASCAP Board of Directors; LOVELOUD (LGBTQ advocacy) Foundation Board (working closely with founder and Imagine Dragons frontman Dan Reynolds); Pepperdine University Institute of Entertainment, Media, Sports & Culture Board; and The Leonard Bernstein Music Publishing Company Board. His involvement in charitable and social justice organizations includes being President of The Board for the City of Hope’s Music, Film & Entertainment Industries Group; Muscular Dystrophy Association (where he is a National Vice President); Augie’s Quest to Cure ALS Advisory Leadership Council (where he was honored with the Champion of ALS Award in October 2018) and Universal Music Group’s Task Force For Meaningful Change (sparked by the Black Lives Matter movement). He was awarded the 2016 President’s Volunteer Service Lifetime Achievement Award, signed by Barack Obama, for his decades of community service.

Evan holds a dual MBA from Ivy League Cornell University’s Johnson Graduate School of Management and one from the Queen’s School of Business in Canada. He also holds a Masters of Science in Major Program Management from Oxford University’s Saïd Business School as well as a Bachelors of Music from New York University.

Born in Brooklyn, N.Y., Evan currently resides in Los Angeles, California with his wife, Lisa, and their daughter Lola.


Charlie Feldman

Charlie Feldman joined BMI’s New York creative team in October of 1988 after having overseen EMI Music Publishing’s Nashville office as Vice President and General Manager. He spent fourteen years in Nashville with EMI and thirty one years in New York with BMI, retiring at the end of 2019.

As Vice President of BMI’s New York creative department Feldman and his team signed Taylor Swift, Norah Jones, Gavin DeGraw, Lady Gaga, Rihanna, Chris Brown, R Kelly and John Legend, to name a few.

Feldman has worked closely with such songwriters as Chip Taylor, Sandy Linzer, Carole King, Gregg Allman, Nile Rodgers, Tony Joe White, Holland/Dozier/Holland, Hall & Oates, Rihanna, Full Force and Cage the Elephant.

He is a past Trustee of The Recording Academy and a two-time New York Chapter past president. He also serves as a Vice Chairman of the Entertainment Media division of UJA-Federation and is a board member of the T.J. Martell Foundation and The Songwriters Hall of Fame. He is a member of the Country Music Association, AIMP and The Academy of Country Music.

Feldman received his Bachelor of Arts degree from the University of Alabama. He and his wife live in Scarsdale, New York.


Desmond Child

Grammy-winning and Emmy-nominated songwriter Desmond Child is one of music’s most prolific and accomplished hitmakers. He’s a film, television, theater and music producer, recording artist, performer, and author. His credits appear on more than eighty Billboard Top 40 singles spanning six decades, including “Livin’ On A Prayer,” “You Give Love A Bad Name,” “I Was Made For Lovin’ You,” “Dude Looks Like A Lady,” “How Can We Be Lovers If We Can’t Be Friends,” “I Hate Myself For Loving You,” “Livin’ La Vida Loca,” “The Cup Of Life,” “Waking Up In Vegas,” “Kings & Queens” and many more.

From Aerosmith to Zedd, his genre-defying collaborations also include KISS, Bon Jovi, Cher, Barbra Streisand, Ricky Martin, Alice Cooper, Joan Jett, Michael Bolton, Katy Perry, Kelly Clarkson, Carrie Underwood, Garth Brooks, Cyndi Lauper, Christina Aguilera, Ava Max, Mickey Mouse and Kermit the Frog, selling over 500 million records worldwide with downloads, YouTube views and streaming plays in the billions.

Desmond Child was inducted into the Songwriters Hall of Fame in 2008 and serves on its Board of Directors as well as the Board of ASCAP. In 2018 he received ASCAP’s prestigious Founders Award celebrating 40 years as a proud member of ASCAP. In 2012 he also co-founded the Latin Songwriters Hall Of Fame where he serves as Chairman Emeritus. In 2022, he was inducted into the Latin Songwriters Hall Of Fame and “Livin’ La Vida Loca” was inducted into the National Archives of the Library of Congress for its cultural significance to America. In 2023, “Livin’ On A Prayer” was certified to have reached 1 billion streams on Spotify. His autobiography DESMOND CHILD: LIVIN’ ON A PRAYER / BIG SONGS BIG LIFE with David Ritz is scheduled for worldwide release on September 19th, 2023.

@Desmond.Child
http://desmondchild.com/


Caroline Bienstock

Caroline Bienstock is currently the President and Chief Executive Officer of Carlin America, Inc., the company her father, music publishing titan and Carlin Chairman Freddy Bienstock, named for her.  She is currently celebrating her 19th year with the family business.

A New York City native, Caroline graduated cum laude from Yale College before earning her JD at Boston University School of Law four years later and becoming an associate at the New York office of the prestigious Chicago law firm Seyfarth Shaw Fairweather & Geraldson.  After acquiring an MBA from the Wharton School, Caroline worked in the Private Client Services division at Goldman, Sachs & Co. before beginning her tenure at Carlin America.

In her present post, Caroline’s main areas of concentration include the Carlin operation in Nashville, the organization-wide expansion into film music acquisitions and licensing, catalog growth and administration, and the Carlin Music Publishing Canada Inc. subsidiary.  Caroline is newly-elected to the American Society of Composers, Authors and Publishers (ASCAP) Board of Directors.  She also currently serves on the Boards of the National Music Publishers Association (NMPA) and the Harry Fox Agency.  She is the Executive Director of the New York Chapter of the Association of Independent Music Publishers (AIMP).  Additionally, she serves on the Advisory Panel of the BMI Foundation, and is a Member of both the Copyright Society and the Entertainment and Sports Law section of the New York State Bar Association. 


Martin N. Bandier

Martin N. Bandier is Chairman and CEO of Bandier Ventures.

Prior to this, Mr. Bandier was the Chairman and CEO of Sony/ATV Music Publishing for 12 years, a position in which he oversaw the company’s global music publishing activities, including talent and copyright acquisitions, day-to-day operations, and the development and implementation of the company’s long-term strategic initiatives.

Mr. Bandier’s role at Sony/ATV matched one of the most renowned music-publishing executives in the industry with the company that controls some of its most valuable catalogue assets and popular current artists and writers. The Sony/ATV catalogues include some of the biggest names in music, including The Beatles, Leonard Cohen, Bob Dylan, Marvin Gaye, Michael Jackson, Carole King, Kraftwerk, Joni Mitchell, Willie Nelson, Roy Orbison, Queen, The Rolling Stones, Richie Sambora, Sting, Hank Williams and Stevie Wonder, among others.  Its ever-growing list of chart-topping artists, writers and producers includes Cardi B, Drake, Calvin Harris, Alicia Keys, Lady Gaga, P!nk, Travis Scott, Shakira, Ed Sheeran, Sia, Sam Smith, Stargate, Taylor Swift,  Kanye West and Pharrell Williams.

In November 2011, Mr. Bandier was instrumental in negotiating the acquisition of EMI Music Publishing by Sony Corporation of America and an investor group, for which Sony/ATV administered the EMI catalog. The acquisition was a professional and personal milestone, as, prior to joining Sony/ATV, Mr. Bandier ran EMI Music Publishing for over 17 years.  Under his leadership, it became the world’s largest and most successful music publishing company, as he acquired the rights to some of the most famous songs ever written and signed many top songwriters and artists. EMI Music Publishing became a wholly owned Sony company in November 2018.

Within months of joining Sony/ATV, Mr. Bandier negotiated the acquisition of the Famous Music catalogue from Viacom, which was widely considered one of the world’s largest and most sought-after music catalogues.  It comprises 125,000 songs, including scores from films such as “The Godfather,” “Braveheart” and “Mission Impossible,” and titles by songwriters such as Shakira and Akon.  Mr. Bandier also oversaw the acquisition of the Leiber & Stoller catalogue in 2007, which includes one of the world’s best known songs, “Stand By Me,” as well as over 20 of the greatest songs ever recorded by Elvis Presley, including “Hound Dog,” “Jailhouse Rock,” “Girls, Girls, Girls” and “Treat Me Nice.”

Mr. Bandier’s involvement in the music industry dates to 1975, when he, Sam LeFrak and Charles Koppelman formed The Entertainment Company, where he achieved hits with a number of best-selling songs.  He went on to co-found the Entertainment Music Company and SBK Entertainment World, where he modernized music publishing by expanding the use of the catalogue in commercials, films, sound recordings and stage productions.  He also set up an advanced collection system for SBK’s vast copyright holdings.  SBK sold its music publishing interests to Thorn EMI in 1989, and Mr. Bandier was appointed head of the combined music publishing division, EMI Music Publishing. He catapulted the company to new heights with a number of major catalogue acquisitions, taking it from the fourth largest music publishing business to the number one ranking.

Mr. Bandier’s many civic and industry commitments include membership on the boards of the City of Hope, the Songwriters Hall of Fame and the NMPA, where he is Vice President of the Board of Directors.  He also serves as a trustee of the T.J. Martell Foundation. The GRAMMY Foundation and MusiCares Foundation, the affiliated charities of The Recording Academy, announced that their respective Boards had elected Bandier to be a MusiCares Director.  His many industry achievements include numerous and consecutive years as Publisher of the Year by performing rights organizations ASCAP and BMI. In 2007, Sony/ATV won Nashville’s “Triple Crown,” an unprecedented and historic achievement in music publishing with ASCAP, BMI and SESAC each naming Sony/ATV its Publisher of the Year. Since Bandier joined in 2007, Sony/ATV has won both of the industry’s top awards, the ASCAP Pop Publisher of the Year and BMI Pop Publisher of the Year, on a number of occasions, among countless other honors.

In June 2003, Bandier was honored by the Songwriters Hall of Fame with their prestigious Patron of the Arts Award. In February 2015, at the Pre GRAMMY Gala in Beverly Hills, California, he was recognized with a GRAMMY Award when he became the first ever music publisher to receive the President’s Merit Award. This was followed by a Lifetime Service Award in June 2017 from the National Music Publishers’ Association.  In 2019, Bandier received the Visionary Leadership Award from the Songwriters Hall of Fame as well as the BMI Icon Award from BMI, marking the first time a music publishing executive has been awarded this prestigious honor.

He is a trustee of Syracuse University and a 1994 Arents Award winner. In 2006, Bandier founded a music and entertainment industry degree program at Syracuse University, appropriately named The Bandier Program for Music and Entertainment Industries; its first class graduated in 2011 and it has become the leading music business program.